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In addition to playing the built-in instruments, you can also use the aQWERTYon as a MIDI controller for any DAW or notation program. Just set the input to the IAC bus (Windows users will need to install MidiOX before this will work.)

All are typical phase problems, involving complex signals and interference patterns. With a bit of math at your back, the key is to know how to listen for them and how to fix them.

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them. 

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If nostalgia is at all a part of your band’s image, the cassette is a no-brainer. But even if it’s not, that doesn’t mean your fans won’t get a kick out of a cassette, especially if it has some highly personalized aspects (more on that below).

When the studio asked for a song that sounds like The Beatles, Schlesinger decided to use similar instruments, style, and production techniques from the time period. If anyone in their 40s or 50s walked into the theater to watch the film, they were immediately transported back to their youth. For those of us too young to have lived through the early 1960s, it’s likely that our parents introduced us to the music of The Beatles at some point so that we’d have our own developmental reference point as well.

[AC]: “I think the most interesting thing about this is that even participants or listeners who don’t have any musical training show the similar patterns. So in your head, I’m sure you’re not really thinking, ‘How important is that tone?’ You’re giving it a rating based on your gut feeling.”

The violin was his passion, so much so that in 1797, he published a pamphlet on the changing style of violin-playing between the Baroque and Classical eras, called Metodo per Violino. He ended up composing a handful of notable works, but his “educational” pieces are definitely the most well-known and still studied today in conservatories. Campagnoli wrote 30 Preludes for violin in all 24 keys, 41 Caprices for solo viola, and other Divertissements.

As it turns out, when Lang heard Ischi do his thing, he was so impressed that he took him under his wing. Think about that for a second. That would be like a kid obsessing over Wilco albums, getting really good at writing songs, and eventually getting the chance to be mentored by Jeff Tweedy.

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“Sad!”: The key escaped me for a while here, since the main chord, C minor, appears only as the upper part of the first chord, A♭Maj7, and then as an inversion, Cm/G. And the synth-trumpet riff doesn’t use the tonic, either. But then, lucky for us thumb-suckers always crying for our tonal blankies, the main vocal motif that starts all the stanzas is a classic “me-re-do” tonic returner. The choruses here are doubled up with no variation, the instrumental bridge is basically just the intro again, and for goodness sake, there’s only one verse! I mean, when a song is this simple, you gotta guess that the ultra-restraint was premeditated.

For musicians looking to integrate sophisticated retail capabilities with their sites, Metablocks is a good option. Through their widgets, you can sell music, accept email addresses, and even integrate Spotify’s Pre-Save campaigns. They’re able to link with hundreds of music retailers, and offer analytics in real-time about who’s clicking, when, and why.

An annotated score of Berg’s Lyric Suite was discovered, which he secretly dedicated to Hanna Fuchs-Robettin, with whom he was in love. Without delving too deep, the secret meaning of the Lyric Suite also made its way into Lulu, where Berg’s special use of the two notes, H (musical German for B) and F — for “Hanna Fuchs” — made yet another example of Berg’s unique predilection for coding emotion in musical geometry.

Your mentor will then take the results of that phone call and put them into a personalized Learning Plan (LP) — and yes, we do get a kick out of calling it an LP, thank you very much. This includes your big-picture goals and activities that you plan to work towards in your four-week session. Your LP may evolve during the session, but it’s intended to provide an initial roadmap to ensure you’re on the same page with your mentor.

Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.