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From a South American dance to a romantically rubato performance piece, Bach’s Violin Partita in D minor has some funky rhythms and bizarre chromaticism!

Kenneth Estrada y Santiago is a producing songwriter, musician, and YouTuber, based in Berlin, Germany. In his YouTube channel, SHOEGAZER he reviews effect pedals, teaches guitar chords and interviews weller known bands of the shoegaze scene. He was the frontman of the band Downhill Willows and releases his own albums on Bandcamp.

Want to increase your band’s chances of getting booked? Try putting yourself in the shoes of venues, show promoters, and festival curators. Music making is too often an introverted, navel-gazing pursuit on the part of the artist, and a great deal of us work incredibly hard to make music and share it with the world, only to struggle in finding any tangible booking success.

2020 nea global fellowship

Over the past few hundred years, Western Europeans gradually figured out an alternative system to harmonics-based tuning, called 12-tone equal temperament (12-TET for short). It’s the system that the entire Western world uses today. The idea behind 12-TET is to have everything be pretty much in tune, which you accomplish by having everything be a little bit out of tune. Is this a worthwhile compromise? Let’s do the math and find out.

Recently someone posted this performance of the chaconne from J.S. Bach’s Violin Partita No.2 in D minor, BWV 1004 on an 11-string guitar by Moran Wasser.

When he walked upon the water 

Before we move deeper into our analysis of this track, take another good look at the image above. Those are all the diatonic triads built on top of the scale tones of E♭ major. If this is new to you, I strongly suggest playing these chords on your chosen instrument. See if you can hear the relationship between each chord.

Let’s say that you’re mixing a project and it’s arrived to you with phase issues built-in. You have a natural snare recording, but when you turn up the accompanying trigger track, it sounds awful. Usually it’s the above comb-filtering and/or a disturbing lack of low end. You can start by flipping the phase button, and see if that gets you where you need to be. Alternatively, you can zoom in on the waveforms and see what’s up.

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+ Learn more on Soundfly: Interested in building on your knowledge of music theory? Try our free course “Theory for Producers,” made in partnership with NYU’s Music Experience Design Lab!

Speaking of Timberlake, I didn’t watch the Super Bowl in 2004, but I remember kids at school telling me about it later. If you don’t know the story already, I’m here to fill you in.

There’s no formula for creating interesting percussion parts in Logic, so you’ll need to do plenty of experimenting. It’s also important to note that while having a solid source part to work off of is important, unpredictable or complex beats aren’t necessarily ones that will end up sounding interesting in your music. It’s incredible how a boring 4/4 kick-snare beat can be transformed with the right effects and approach.

+ Learn more on Soundfly: Deepen your production and composition relationship with Ableton Live in our various courses that use the software, such as Beat Making in Ableton Live, Making Realistic MIDI Strings, Live Clicks and Backing Tracks, and Any Sound Will Do (sampling and stitching). Check out our full course offerings here.

Somehow, this video perfectly portrays the combined joy and sorrow of the song. The random intervention of the weather actually helped to make it even more fitting than the original concept. It’s so simple yet powerful, and it proves that lots of money is not essential for developing a great music video.