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Restaurants, weddings, and self-organized events are how Lalita generates most of her income. With no electricity, none of that is possible. The release show for her new EP, El Grito, was postponed because of Irma, and the continued power outage has halted all promotion. The artist residency she was slated to begin in Miami this month is off, too; she needs the travel funds instead for a one-way ticket to New York. Lalita needs to earn money — for her own survival, of course, but also to care for those at home who need help now and will still be in need for months to come.

Learn about underwater acoustics and how sounds travel in different directions and across far distances via a marine audio highway called the SOFAR Channel.

Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.

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Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

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If you’re looking for a guitar tone that has a thin, bright sound, single coil might be the way to go. These pickups are used often for clean tones. However, if you’re playing a genre of music that requires lots of tonal output and distortion, dual-coil pickups are your best bet. Pickups determine what is sent into your pedals, amp, and cab, so the ones you choose are going to have a strong affect on your overall tone.

The Who is the Who. They are expected to break their instruments, light them on fire, and treat them with the utmost disrespect. Even in their early years, they had made quite a name for themselves doing so. When the band appeared on the Smothers Bros Comedy Hour in 1967, however, drummer Keith Moon, always one to push limits, put 10 times the normal amount of gunpowder in his kick drum. This not only shocked the audience and people watching at home, but surprised the host and the rest of his band when everything started exploding at the end of the song.

Oh, KanTay (I promise I didn’t make that up, and I am already regretting using it). Before all of this “Famous” garbage happened, Taylor Swift and Kanye West had a hilarious run-in at the VMA’s way back in 2009. Well, not hilarious for them. But super funny for the rest of the world watching.

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Mahea Lee is a classically trained pianist and composer who has a degree from a jazz school and leads an electro-pop band. Her greatest musical passion is lyrical songwriting, but she’s been known to write the occasional fugue. She graduated from Berklee College of Music, where she majored in Contemporary Writing and Production and minored in Music Theory. For more Mahea, check out Soundlfly’s course, The Improviser’s Toolkit.

Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in diving deep into a topic covered by one of our courses, like Orchestration for Strings, Unlocking the Emotional Power of Chords, or The Creative Power of Advanced Harmony, or just in working with a Mentor directly to achieve a specific musical goal, we’re here to help!

We cover a lot of musical topics between the editorial content here on Flypaper, our newsletter Soundfly Weekly, our mentored online courses, and our customized project-oriented mentorship sessions on Soundfly. Yet no matter what area of composition, production, performance, or business we’re talking about from one day to the next, we find that what links most modern musicians in their drive to learn more and expand their skills and opportunities today is the need to develop a better grasp on home recording.

I’m talking about the way compression can make tracks seem like they fit together a little better. When set up correctly, it makes the whole song feel like it’s glued together in subtle ways which give it a nice, musically polished, cohesive sound. The goal with mix buss compression would be to just tame any transients that may spike up in volume just a little too much, and then bring the overall volume of the rest of the tracks up just a bit. We’re just trying to add a little more energy and fullness to the mix.