A lot of the time, the student has no particular goal beyond “do this assignment.” So then the critique needs to get creative. I like to ask: If this track is a film or game score, what’s happening in the scene? Students have a lot of implicit knowledge in this area from their own media consumption, so I get wonderfully specific and unexpected answers to this, i.e., “It’s a bar fight in a domed underwater city.” Then we can figure out, how could the track more strongly convey the feeling of a bar fight in a domed underwater city?
Anyone who’s ready to take a deep dive into the world of mixing. You should be aware of mixing’s role in the music production process, but you don’t need to know anything about how to mix to take this course. You should be able to record audio at home and/or be comfortable creating audio in your DAW of choice. Once again, you can be a practitioner of any style of music, and you should get super excited when someone gives you a new song to listen to.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in taking a deep deep into production-related topics like Beat Making in Ableton Live, Making Music in Logic Pro X, or the newly launched Art of Hip-Hop Production, or just want to work with a Mentor directly on a personal project, we can help you reach your musical goals!
Scholarships for musicians not majoring in music
Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.
The Scottish duo of Michael Sandison and Marcus Eoin known as Boards of Canada is one of the most influential production teams in electronic music history. The sounds they conjure from their synthesizers and samplers are nothing if not evocative: of half-remembered childhoods, warbly analog recording mediums, reality-bending psychedelic experiences, and so on.
One of the best things you can do as a working producer is to analyze music by the artists who inspire you. This will help you understand how they build their tracks, and develop their ideas for when you start working on how things are arranged and orchestrated.
Simple color schemes, when used with consistency and intent, can have a huge effect on your ability to transmit clear emotion and messaging across social media, your live shows, your videos, and your release artwork.
But that’s because so many of the composers listed are relatively obscure Italian artists we don’t tend to talk about much. Composers who have created extraordinarily beautiful music and contributed positively to Italy’s vast and vibrant history, yet are more or less forgotten today. So, since it’s Friday, we thought it would be fun to explore a bit about each of the composers we’ve been introduced to via this game.
Run-d.m.c. 80s rappers
Take your time. Pick out the sound you think will create the best base layer for your music. But keep in mind that you can always go back and track other instruments and sounds once everything is laid down. Now you’re ready to record your keyboard to the click.
Like any new entrepreneur, songwriters may themselves experience cash flow problems and look for additional financing to keep the lights on. However, unlike businesses that have inventory to put up as collateral, songwriters have only their intellectual property and the royalties that property can earn. This limits the options from traditional banking sources and requires songwriters to seek out alternative funding that’s available as an advance against royalties or from selling some rights in exchange for quick cash.
Convenient though it is, some musicians don’t want to accommodate a 12-TET, insisting instead that we continue to use pure intervals derived from harmonics the way God and Pythagoras intended. Harmonics-based tuning systems are collectively known as just intonation. This is a poetically apt term, because it implies fairness. By contrast, the implicit message of 12-TET is that life isn’t fair. As we’ve learned, just intonation systems give you some lovely pure intervals, but are severely limited otherwise. A few malcontents prefer alternative historical compromise tuning systems that make some keys sound better at the expense of others sounding worse. There are many such esoteric temperament systems, but none of them are in widespread use.
From his lonely wooden tower
Got 10 minutes to learn about the history of the drum kit as we know it today? We talk about how individual drums, players, and genres helped the kit evolve.